Training horses for show jumping is much like teaching children – each student has their own natural aptitudes and inclinations, they will learn at their own rate, they will understand teaching techniques in their own way, and their capacity to learn on a given day can be affected by circumstances beyond what happens in the classroom/riding arena.

It is our goal as horse trainers to identify areas of skill development that need addressing, while being aware and understanding of our horse’s unique mindset and characteristics so that we don’t try and force one methodology and timing onto every horse. That is all to say: try not to get caught up on what is happening with everyone else’s horse as though that means anything for you and your horse. Really understand the goals of the sport and the exercises you set, so that you can best modify them and make sure they’re useful for your horse and where they’re at in their training.

A jumping grid.

The gymnastic setup.

This particular gymnastic uses a simple line on one side of the arena. Start by setting a cavaletti fairly close to the end of the arena to practice a short approach out of the corner. Set an oxer 41’ away from the cavaletti, then a vertical at 23’, and another cavaletti at 51’ heading into a short corner. If your arena space is smaller or larger, consider setting the last distance at either 41’ or 61’ as needed to either reduce or increase the number of strides there, respectively.

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A quick note about this stage of the exercise: before we put in the final vertical, we have an opportunity to encourage the horse to understand the requirements and expectations. It isn’t that interesting if you, the rider, can work really hard and “make it happen” while your horse is blissfully running off partly sideways doing its own thing. There are times when the skill we look to develop is the rider’s ability to be effective and make adjustments, but this exercise is designed to teach the horse that we expect rhythm, straightness, self-carriage, focus, and patience.

You may notice that the three strides after the oxer is very quiet, while it seemed like there was more space when we went the other way in the six strides after the oxer. There are plenty of reasons this could be, including simply having more time after the oxer to make small adjustments, or if we didn’t get up the six strides towards the oxer as easily as we made the three strides the other way, which would make the oxer a “bigger” feeling jump. If you find yourself in this situation, try and adjust your canter on your approach to the exercise in this second direction – come to the cavaletti on a bigger stride so that the six strides to the oxer requires a little balancing and shortening to make a quieter arrival. This should help the three strides after.

Now let’s add the vertical to the mix, and start our approach the original direction. This should be a nice quiet three strides to a normal one-stride to a quiet four strides. Because we ask the horses to take a full stride in the one-stride, we will land bigger than the four-stride needs to the cavaletti, which will force us to ask our horse to balance back to us. This is where we will hopefully notice the benefit of having repeated enough at the early stages that our horse will be attentive and listening well when we land from the one-stride, stretch up and secure our position, and ask them to shorten slightly.