Contact is the only one of the six steps โ€“ rhythm, relaxation, contact, straightness, impulsion and collection โ€“ that describes a relationship between the horse and rider, rather than merely a quality in the horseโ€™s way of going. โ€œContact is the soft, steady connection between the riderโ€™s hand and the horseโ€™s mouth,โ€ says Wendy Christoff. โ€œThe horse should go rhythmically forward from the riderโ€™s driving aids and โ€œseekโ€ a contact with the riderโ€™s hand, thus โ€œgoing ontoโ€ the contact. A correct, steady contact allows the horse to find its balance under the rider and find a rhythm in each of its gaits.โ€

Where riders misunderstand the concept of contact, Christoff believes, is that they think only about the physical contact from the hand to the rein and the horseโ€™s mouth. โ€œA common image used in describing contact is the one used by coaches to their students when they tell them to imagine holding a bird in their hand. Donโ€™t hold on so tightly that you kill it, but hold on enough that you donโ€™t let it fly away.โ€ But contact is far more than just that feeling in the hands. โ€œContact is connection. Itโ€™s the feeling from the back of the horse to the front. Itโ€™s acceptance of the bridle, and itโ€™s also the feeling of the horse underneath you, as opposed to out behind or out in front of you.โ€

Always From Back to Front โ€“ leg yield

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